Angela, Michelle and Winduwati, Septia Representasi Kemiskinan dalam Film Korea Selatan (Analisis Semiotika Model Saussure pada Film Parasite). Representasi Kemiskinan dalam Film Korea Selatan (Analisis Semiotika Model Saussure pada Film Parasite).

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Abstract

This study discusses the social problems that occur in South Korea that represents poverty in
the film Parasite by identifying the signs used in the film. The director as a mass communicator
makes a film as a mass message delivering a message to a mass audience or audience about
their representation of reality. The theory used in this research is the theory of mass
communication, film, representation, discourse, and poverty. This study uses a qualitative
approach with Ferdinand de Saussure semiotic analysis technique which divides the signs into
two, namely signifier and signified. In this study it was found that the film Parasite represented
poverty depicting the figure of a family who lived a difficult life, a small house that was dirty
and cramped, difficulty in finding decent work, living in a slum area, a house flooded. Kim's
family poverty in this film is relative poverty which explains even though their basic needs are
met, but the difference is clearly seen when compared to the economy with the Park family.
Some poverty indicators according to the World Bank are portrayed in the film such as land
ownership and limited capital, limited infrastructure needed, development bias in cities,
differences in human resources and economic sectors, poor living culture and poor
governance.

Item Type: Article
Subjects: Penelitian > Fakultas Ilmu Komunikasi
Divisions: Fakultas Ilmu Komunikasi > Ilmu Komunikasi
Depositing User: Puskom untar untar
Date Deposited: 04 Jan 2021 14:37
Last Modified: 04 Jan 2021 14:37
URI: https://repotest.untar.ac.id/id/eprint/14243

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